Applications
Identifieur interne : 001121 ( Main/Exploration ); précédent : 001120; suivant : 001122Applications
Auteurs : Richard Parncutt [Australie]Source :
- Springer Series in Information Sciences [ 0720-678X ] ; 1989.
Abstract
Abstract: The model described in Chap. 4 predicts the number of audible harmonics in complex tones, the multiplicity and tonalness (and hence consonance) of musical tone simultaneities (tones, dyads and chords), the various possible pitches of simultaneities and their perceptual importances (saliences), and the roots of chords. It also predicts the strength of harmonic and melodic relationships between sequential musical sound (pitch commonality and pitch proximity). It quantifies sensory and cultural aspects of the tonality of chord progressions: repetition, sequential harmonic relationships (including the roots of broken chords), consonance, and implication (of triads, scales and keys). It enables “objective” psychoacoustical analysis of harmonic progressions, and may be applied in composition.
Url:
DOI: 10.1007/978-3-642-74831-8_6
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 002143
- to stream Istex, to step Curation: 002142
- to stream Istex, to step Checkpoint: 001047
- to stream Main, to step Merge: 001134
- to stream Main, to step Curation: 001121
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Applications</title><author><name sortKey="Parncutt, Richard" sort="Parncutt, Richard" uniqKey="Parncutt R" first="Richard" last="Parncutt">Richard Parncutt</name></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:03364080CE9691190F2338E87D0F31AA372E5C8F</idno><date when="1989" year="1989">1989</date><idno type="doi">10.1007/978-3-642-74831-8_6</idno><idno type="url">https://api.istex.fr/document/03364080CE9691190F2338E87D0F31AA372E5C8F/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">002143</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">002143</idno><idno type="wicri:Area/Istex/Curation">002142</idno><idno type="wicri:Area/Istex/Checkpoint">001047</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">001047</idno><idno type="wicri:Area/Main/Merge">001134</idno><idno type="wicri:Area/Main/Curation">001121</idno><idno type="wicri:Area/Main/Exploration">001121</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Applications</title><author><name sortKey="Parncutt, Richard" sort="Parncutt, Richard" uniqKey="Parncutt R" first="Richard" last="Parncutt">Richard Parncutt</name><affiliation wicri:level="1"><country xml:lang="fr">Australie</country><wicri:regionArea>Department of Music and Psychology, University of New England, 2351, Armidale, NSW</wicri:regionArea><wicri:noRegion>NSW</wicri:noRegion></affiliation></author></analytic><monogr></monogr><series><title level="s">Springer Series in Information Sciences</title><imprint><date>1989</date></imprint><idno type="ISSN">0720-678X</idno><idno type="ISSN">0720-678X</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0720-678X</idno></seriesStmt></fileDesc><profileDesc><textClass></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Abstract: The model described in Chap. 4 predicts the number of audible harmonics in complex tones, the multiplicity and tonalness (and hence consonance) of musical tone simultaneities (tones, dyads and chords), the various possible pitches of simultaneities and their perceptual importances (saliences), and the roots of chords. It also predicts the strength of harmonic and melodic relationships between sequential musical sound (pitch commonality and pitch proximity). It quantifies sensory and cultural aspects of the tonality of chord progressions: repetition, sequential harmonic relationships (including the roots of broken chords), consonance, and implication (of triads, scales and keys). It enables “objective” psychoacoustical analysis of harmonic progressions, and may be applied in composition.</div></front></TEI><affiliations><list><country><li>Australie</li></country></list><tree><country name="Australie"><noRegion><name sortKey="Parncutt, Richard" sort="Parncutt, Richard" uniqKey="Parncutt R" first="Richard" last="Parncutt">Richard Parncutt</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 001121 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 001121 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= DebussyV1
|flux= Main
|étape= Exploration
|type= RBID
|clé= ISTEX:03364080CE9691190F2338E87D0F31AA372E5C8F
|texte= Applications
}}
| This area was generated with Dilib version V0.6.33. |  |